The Grace of Gumnuts
Widow-maker, smoke tree, scented giant, or healer—whatever the perspective, the eucalyptus tree is an iconic symbol of Australia. With over 700 species, eucalyptus flowers range in color from pale white to vibrant yellows, pinks, and reds, while its seedpods—gumnuts—vary from under a centimeter to nearly 10 centimeters in diameter. These unique characteristics provide a wealth of inspiration for artistic exploration.
This project began unexpectedly one morning during a walk through the local parks. After a windstorm, the ground was scattered with eucalyptus flowers and gumnuts. Nearby lorikeets—messy eaters—continued to add fresh blooms to the mix. The simple yet captivating shapes at my feet sparked curiosity, and over the following weeks, I returned home from my walks with handfuls of potential photo subjects.
Eucalyptus flowers transform quickly after falling. Their message shifts within hours: from the fresh beauty of youth to the poetic melancholy of withered stamens, once destined to seed new life. Capturing their photographic story became an evolving dialogue as the day progressed. In contrast, dried gumnuts offered enduring opportunities, allowing me to twist and turn them over days to find the strongest compositions.
The motivation behind this portfolio was to celebrate the various stages of gumnut development while highlighting the stunning elegance of nature’s minimalist forms. Many collected samples were scraggly and rejected, but those that remained revealed a single dominant composition that demanded attention.
The original colour image of a spiral of red eucalyptus flowers starting to emerge in a dynamic floral spiral. This is one of my favourite colour images of the project, and sometime down the track may be available in colour print form as well as part of the gelatin silver collection.
The same eucalyptus flower spiral rendered in the delicate tones simulating a gelatin silver process photograph. While the colour image appeal as floral art, this image invites a deeper exploration of all its subtleties.
Initially, I envisioned showcasing these images in their natural, muted tones. However, as I processed the photos and converted them to monochrome—a workflow I use to assess compositional strength—I experimented with a faux gelatin silver filter. The subtle yet powerful rendering of this technique resonated deeply with me, lending the series a timeless quality. The resultant prints evoke the duality of photography and fine art, resembling work crafted by a skilled graphite artist. Imperfections, often considered flaws, were intentionally preserved to enhance the authenticity and connection to reality.
The entire process of creating this series has been both deeply satisfying and calming. There’s no doubt that the experience of working with these subjects has enriched my appreciation of nature’s intricate beauty.